奥莉维娅1951
- 主演：Marie-Claire Olivia Yvonne de Bray
- 状态：HD
- 导演：Jacqueline Audry
- 类型：剧情片
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简介：
大概是法国第一部描写女同志的故事片吧。
Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.
French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
《奥莉维娅1951》详细介绍
分类：剧情片
状态：HD
上映时间：1951
视频更新时间：2023-02-21 18:39
国家/地区：法国
影片语言：法语
评分：5.0分
影片导演：Jacqueline Audry
影片演员：Marie-Claire Olivia Yvonne de Bray
资源类别：高清无删减
剧情介绍：Jacqueline Audry 导演执导的《奥莉维娅1951》，该影片在1951法国发行，上映至今获得了较好的口碑， HD，由Marie-Claire Olivia Yvonne de Bray 等主演的一部不错的法语的剧情片。
大概是法国第一部描写女同志的故事片吧。
Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.
French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
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